A little bit of my animation from #treasureplanet for #disember I tried to flip it so you could see the motion but it kept skipping. Sorry, I tried. Also, I have call out @alikigreeky who worked with me on TP and did the ruff inbetweens on this scene. So a special thanks to her because a lot of these drawings are hers. Hope people enjoy. #jimhawkins#roughanimation
"Aujourd'hui, en l'honneur de l'anniversaire de Walt Disney, j'ai pensé que je devrais publier mes storyboards de notre moment entre Walt et Mickey. Trent Correy et moi savions que nous voulions un moment dans le court métrage où Mickey honorerait Walt, mais cette idée était assez intimidante. Que dirait Mickey ? Combien de temps y consacrer ? Nous pensions avec certitude que ce serait quelque chose que nous allions travailler, retravailler et retravailler, mais il s'est avéré que la première version que nous avons écrite et superposée à "Feed the Birds" nous semblait juste... juste. À vous Walt. Aucun d'entre nous ne serait ici au studio si vous n'étiez pas restés et n'aviez pas traversé les moments difficiles, les déceptions au box-office et les gens qui disaient que vous étiez fou. Merci. Le spectacle continue." - Dan Abraham
In honor of Walt Disney's birthday today, I thought I would post my storyboards fromour Walt and Mickey moment. Trent Correy and I knew we wanted a moment in the short where Mickey would honor Walt, but the thought of it was pretty daunting. What would Mickey say? How much time do you spend on it? We thought for sure this would be something we were going to work and rework and rework but as it turned out, the first version we wrote and layered "Feed the Birds" under it in editorial it just...felt right to us. Here's to you Walt. None of us would be here at the studio if you hadn't stayed with it and pushed through the hard times, the box office disappointments and the people saying you were nuts. Thank you. On with the show. #onceuponastudio#wdas#waltdisneyanimationstudios#disney#waltdisney#disneyanimation#mickeymouse#storyboards#disneystoryboards#thanks#onwiththeshow#burbank#california
In 1923, a young man from the American Midwest, along with his older brother, rented space in the back rooms of a small real estate office in Hollywood, California. Eight days later, on October 16, an agreement was signed to produce an animated series known as the Alice Comedies.
This marked the humble beginning of a family entertainment company that would create unforgettable stories, characters that would become beloved friends, and wondrous experiences that would touch hearts around the world.
Happy 100th anniversary to The Walt Disney Company.
In honor of today's centennial celebration for The Walt Disney Company, we present a series of six all-new illustrations that explore Disney’s creative endeavors through the eras, from the beginning of the Disney Brothers Cartoon Studio in 1923 to the Company’s latest cinematic, streaming, and Disney Parks adventures! Illustrated by noted visual artist Sam Carter, and created in partnership with senior Disney designer Melanie Lapovich, the artwork debuted yesterday at @disneyd23's Disney100: D23 Royal Anniversary Ball at The Walt Disney Studios. Enjoy this journey through beloved moments and milestones in Disney history from the 1920s, 1930s-40s, 1950s-70s, 1980s, 1990s-2000s, and 2010s-20s. Which Disney era is your favorite? #disney100#d23#waltdisneystudios#disneyhistory
Et Mauri Lonix a partagé quelques photos et vidéos de l'un des lieux de tournage sur son compte Instagram :
maurifollia a écrit:
Quando arrivato a Castelsardo scopri che Walt Disney ti sta cercando per il ruolo da protagonista 🧜️🧜️🧜️🧜️🧜️del nuovo film "La Sirenetta" 🦞in fondo al marrrrr
D'ailleurs la VF semble avoir essayé de "gommer" un peu cette théorie. Dans la VO, Olaf affirme un "Did you know that..." ("Saviez-vous que...") tandis qu'en VF la traduction a choisi un "Vrai ou Faux". Ce qui a pour effet de laisser un peu cette idée sous forme de théorie, potentiellement fausse, alors qu'elle était affirmée au milieu d'autres faits réels par Olaf en VO (qui en plus ajoute que cette idée est décriée par beaucoup mais est vraie). La théorie de l'eau (ayant une mémoire) n'étant ensuite réellement présente que lors d'événements trop magiques pour être réels, ce qui crée naturellement une distance avec la véracité de cette idée.
Ok seriously? I get to work on a horse? A water horse called the Nokk? My career was complete. I was 5 years old again, well I still have horses so I never grew out of it I guess. I worked closely with character, animation, effects, tech Anim. Look and lighting. It took a team to make this happen. I love these folks for making my little girl dreams come true. I can’t thank them enough for making this Nokk so beautiful. #disney#waltdisney#disneyanimationstudios#animation#frozen2#frozen2art#nokk#waterhorse#conceptart#visdev#visdevelopement#waterhorse
stubaluna a écrit:
I remember when I was 3 or so and my grandfather put me in front of the saddle and galloped across the field, what is now the Burbank equestrian center. I remember being disappointed because our rental horse had a short tail. I was hoping for a long flowing fairytale tail. But the moment that horse flew across the field I was hooked. Saving baby sitting money bits at a time I was able to rent the horses on my own. After I started working at Disney I bought my first car and then a horse. They are magical creatures and working on this Nokk was a fairytale dream come true. #disney#waltdisney#waltdisneystudios#waltdisneyanimationstudios#waltdisneyanimation#elsa#nokk#waterhorse#frozen2#frozen2art#conceptart#visdev#visdevart#visualdevelopment#lightingdesign
The very first costume designs that I was asked to work on for #frozen2 over 2 years ago. These designs were for a scene that ultimately didn’t make it into the film, but that featured the girls traveling in inclement weather. While Elsa didn’t keep her hood, a lot of the elements of this design ended up being adopted into her travel coat. We were so early in the process that we didn’t have a plan for color yet, so I was asked to work in greyscale. We don’t always work this way, but sometimes it is good to switch things up! After a few years away, it was so wonderful to work with these characters again. They just feel like home #frozen2#elsa#anna#disneyfrozen#disney
britsketch a écrit:
As we started to explore Elsa’s travel costume, we had just a few elements that we knew we needed to include. She needed to be wearing layers, her hemline had to be off the ground, and she needed to be wearing some kind of pant to support the amount of activity she would be put through. Also, if her costume could include an element that would move well in the wind (since we did know that Gale would be interacting with her), that would be a bonus. I thought it was important to include Gale in the design process to give everything a little more context. Normally on Frozen we try to hone in on a favorite design or two before we show our directors, but this was such new territory for us that we did show all of these designs (and probably more) to get their feedback. Ultimately, they asked for a combination of two of these designs and that is where we landed - can you tell which two? I love working with Elsa, and this assignment was certainly a challenge. The process of working on these films is always an exciting journey #frozen2#frozen#elsa#disney
Sujet: 
Sujet: 
Jeu 7 Déc 2023 - 18:30
Les Cartoons
”Se poi ti guardassi intorno
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🦞
in fondo al marrrrr
