Ce que je trouve également assez étonnant est à quel point les paroles de la version française s'adaptent avec cette version alternative et collent bien avec l'image ("Magie des flots" en caressant le visage d'Elsa, "Il faut, nos peurs apprivoiser" en prenant ses mains, ou "Une maman rêve toute éveillée" alors qu'Iduna ferme les yeux), et les tournures et choix pris font totalement sens ici. Sans doute la version avec laquelle l'adaptateur a travaillé, ce qui appuie le fait que cette version a vraiment été coupée à la toute fin.
Suite des vidéos partagées par Kristen Anderson-Lopez! Avec Show Yourself et Some Things Never Change :
I left the booth to stand in the room and experience these magnificent violin runs. Remember that we create these songs in layers so you are only hearing orchestra. The rhythm section got added in a separate session. @stephenoremus #showyourself#frozen2pic.twitter.com/1Rk4kiDgC4
“Some Things Never Change” watch how @stephenoremus conducts with his full being. And listen to the masterful way Dave Metzger uses those soaring strings in counterpoint with the melody. 1/2 #frozen2 1/2 pic.twitter.com/imaTn2R8hX
What you don’t see here is our incredible engineer Dave Boucher controlling and tweaking 100s of technical elements so we can hear what we need to hear while he also makes sure it’s being fully recorded in a way we can edit and manipulate later. 2 of 3
And Andrew Page making sure every single note is recorded exactly as written. And Earl Ghaffari taking it all in because he will be in charge editing the whole thing into the rest of the movie. And Tom MacDougall overseeing the whole operation.
Quel plaisir de pouvoir enfin avoir un aperçu de l'animation de cette scène en entier! Quel dommage qu'elle n'ait pas été partagée dans les scènes coupées dévoilées.
Kristen Anderson-Lopez a vraiment été généreuse ce soir!
First time hearing “Into The Unknown” listen as Bobby cuts a lot of the drums -never to be heard again. Watch @stephenoremus cool as a cucumber in front of some of the best musicians in the world. #Frozen2pic.twitter.com/HGQHubIwwf
Sur son compte Twitter, Kristen Anderson-Lopez a partagé plusieurs vidéos sur les coulisses de l'enregistrement de la musique. Et l'une d'entre elles montre (enfin!) les images du All is Found d'origine dans leur totalité! (mais sans le son, on peut pas tout avoir )
Sauf que se balader avec un poisson, vivant ou mort, est plus "problématique" qu'une saucisse (qui en plus est plus proche d'une carotte, et donc du design habituel du personnage)
Our small and mighty story team @sharktooth72 @cisforfrenchfry @seth.boyden.art @dlee08 were so FUN to work with. I love the collaborative process and story geniuses @disneyanimation , they bring the laughs, and the heart to every drawing and panel they do Pictured above are some early sketches...we drew a lot of noses Do you have a favorite? We were really trying to emulate a board driven story room, where the best ideas rise to the top and the story artists have freedom to play. I love looking back on these, from over a year ago in June 2019.
Suite des coulisses par Trent Correy (on remarquera le poisson à la place de la saucisse, le poisson n'étant désormais qu'un nez furtif dans la version finale):
trentanimation a écrit:
Part 2 #onceuponasnowman behind the scenes! As I mentioned in my last post, this idea started wayyyy back in 2012/2013 with some simple doodles...and for years I chipped away at it, on and off in many different forms. A short film, a children’s book, a musical(more to come)...because I truly felt this was an idea worth pursuing, I just had no idea how, when or if it would ever happen. Finally, I saw an opportunity for this little short to have a home, when @disneyplus launched and @disneyanimation was starting to look for new ideas. SO, I pulled together 6-7 years worth of doodles, ideas and writing and put a pitch package together! More to come about pitching and how @sharktooth72 and I partnered up to work on this fun little project!!!
Trent Correy nous partage quelques recherches autour du court-métrage, idées qui datent de 2013 :
trentanimation a écrit:
Creating #onceuponasnowman has been an unbelievable journey and a true highlight of my career. Every few days I will post some behind the scenes stories, drawings and write about my experience...let’s start from the beginning!
Back in 2012 I started my dream job @disneyanimation as an #animation trainee! My very first film at #disney was #frozen working as a crowd animator and eventually animating my first Disney character #olaf under the supervision and mentorships of @mrhyrum !!! When I started animating on Frozen, #letitgo was being created...it was magical to witness it coming to life. I remember @chadsellz beautifully animating #elsa making #olaf ...creating life for the first time...and then, she just walks away and continues singing. At that exact moment, I knew there was an origin story, beginning during Let it Go and connecting 20 minutes later to where Olaf walks into all of our lives and gets his carrot nose.
I got out my pen and paper and just started writing, doodling and dreaming up a story. These are the original sketches from early 2013...it’s so hard for me to believe that 7 years later, I would have the privilege of bringing this little story to life with @sharktooth72 and all the amazing talents @disneyanimation .
FR : Créer Les Aventures d'Olaf a été un voyage incroyable et un véritable moment fort de ma carrière. Durant les prochains jours, je publierai des histoires des coulisses, des dessins, et j'écrirai sur mon expérience ... Commençons par le début!
En 2012, j'ai commencé mon travail de rêve aux Walt Disney Animation Studios en tant que stagiaire en animation! Mon tout premier film à Disney était La Reine des Neiges en tant qu'animateur de foule et finalement en animant mon premier personnage de Disney, Olaf, sous la supervision et le mentorat de Hyrum Osmond !!! Quand j'ai commencé à animer sur Frozen, Let It Go était en cours de création ... C'était magique de la voir prendre vie. Je me souviens que Chad Sellers animait magnifiquement Elsa créant Olaf... Créant la vie pour la première fois... Puis, elle s'éloignait en continuant de chanter. À ce moment précis, je savais qu'il y avait une "origin story", commençant pendant Let it Go et reliant 20 minutes plus tard à l'endroit où Olaf entre dans toutes nos vies et obtient son nez de carotte.
J'ai sorti mon stylo et mon papier et j'ai juste commencé à écrire, à griffonner et à imaginer une histoire. Ce sont les croquis originaux du début de 2013 ... j'ai tellement de mal à croire que 7 ans plus tard, j'aurais le privilège de donner vie à cette petite histoire avec Dan Abraham et tous les incroyables talents de Disney Animation.
Leçon : Continuez à rêver... Faites-le parce que vous êtes passionné par l'idée, parce que vous croyez en l'idée et peut-être... juste peut-être (parfois même 7 ans plus tard) l'occasion pourrait se présenter de concrétiser ce rêve.
Myth: A Frozen Tale est nommé dans la catégorie VR Film of the Year aux VR Awards!
Concept Art partagé par par Brittney Lee :
britsketch a écrit:
Huge congrats today for the wonderful team who worked on Myth: A Frozen Tale as it was just nominated by @aixrorg for VR Film of the Year! To celebrate, here is one of the most fun/dramatic pieces of artwork I got to work on for the show - the dark Nokk! (swipe for a closer look ) This was a joy to work on and I’m so happy and proud for this wonderful team. Thanks @jeffkgipson and @nickaruss for letting me be a part of it!! #mythafrozentale#nokk#frozen2#disney#frozen
On sait enfin (ou presque) dans quel lieu se passe la scène post-générique.
Trent Correy et Hyrum Osmond sont ceux qui ont eu l'idée de ce bonus de fin.
Trent Correy a écrit:
With a few weeks left in production, my good buddy, the #olaf man himself @mrhyrum and I, secretly pitched an idea for a post credit scene for #frozen2 . It was a fun meeting, we did a little shtick with my storyboards(swipe to see) and got the go ahead to make this weird little idea. We quickly recorded the hilarious @joshgad and brought back everyone’s favorite #marshmallow @_paul_briggs_xx ! Since we only had a few weeks, everybody pitched in where they could(swipe to see the rough animation). @mrhyrum and I animated Olaf, and animation supervisor @animwoodsy took on the task of animating Marshmallow and the #snowgies ...also, Olaf mom and those beautiful lashes. All the other animation supervisors @wayne_unten @emmingu @svetlaradivoeva and Justin Sklar contributed great Snowgie cycles. Lastly, our incredible crowds artist @jacktastic4d , lead by @yasserlikes2fly added hundreds of the little snowgies to fill out the frame and get the energy/humor we needed. It’s all a bit of a blur now, but it was a fun blur!
When we decided that the Nokk would play an important role in Myth: A Frozen Tale, we knew we needed to push the Nokk in a more stylized direction than what was in the movie, and it felt like the perfect opportunity to push that ethereal-ness as much as possible. I had fallen in love with Annette Marnat’s and @jamwoodser ‘s beautiful, almost glowing visual development work of the Nokk for #Frozen2, and wanted to evoke a similar magic for Myth. We also needed two versions of the Nokk for Myth - a dark and a light version. These images are some of my exploration for what the VR Nokk could look like. I was so happy to have the chance to explore this character since I didn’t get to work on the Nokk in the film (and who DOESN’T want to paint a magical water horse???) I’m so happy with the final result, and I can’t wait until everyone can have the opportunity to experience the film! We are at #sundance this weekend and are working on ways for everyone to watch Myth:A Frozen Tale soon! If you happen to be at Sundance this weekend, come find us at the Disney Studio Lab space on Main Street! #disneyfrozen#disney#mythafrozentale#frozen
To have Elsa run across the Dark Sea in #Frozen2, Effects Animation collaborated closely with Layout and Animation early to simulate the ocean. This progression takes you through the stages of Layout, Animation, Effects and Lighting. #TechTuesday
D'ailleurs la VF semble avoir essayé de "gommer" un peu cette théorie. Dans la VO, Olaf affirme un "Did you know that..." ("Saviez-vous que...") tandis qu'en VF la traduction a choisi un "Vrai ou Faux". Ce qui a pour effet de laisser un peu cette idée sous forme de théorie, potentiellement fausse, alors qu'elle était affirmée au milieu d'autres faits réels par Olaf en VO (qui en plus ajoute que cette idée est décriée par beaucoup mais est vraie). La théorie de l'eau (ayant une mémoire) n'étant ensuite réellement présente que lors d'événements trop magiques pour être réels, ce qui crée naturellement une distance avec la véracité de cette idée.
Ok seriously? I get to work on a horse? A water horse called the Nokk? My career was complete. I was 5 years old again, well I still have horses so I never grew out of it I guess. I worked closely with character, animation, effects, tech Anim. Look and lighting. It took a team to make this happen. I love these folks for making my little girl dreams come true. I can’t thank them enough for making this Nokk so beautiful. #disney#waltdisney#disneyanimationstudios#animation#frozen2#frozen2art#nokk#waterhorse#conceptart#visdev#visdevelopement#waterhorse
stubaluna a écrit:
I remember when I was 3 or so and my grandfather put me in front of the saddle and galloped across the field, what is now the Burbank equestrian center. I remember being disappointed because our rental horse had a short tail. I was hoping for a long flowing fairytale tail. But the moment that horse flew across the field I was hooked. Saving baby sitting money bits at a time I was able to rent the horses on my own. After I started working at Disney I bought my first car and then a horse. They are magical creatures and working on this Nokk was a fairytale dream come true. #disney#waltdisney#waltdisneystudios#waltdisneyanimationstudios#waltdisneyanimation#elsa#nokk#waterhorse#frozen2#frozen2art#conceptart#visdev#visdevart#visualdevelopment#lightingdesign
The very first costume designs that I was asked to work on for #frozen2 over 2 years ago. These designs were for a scene that ultimately didn’t make it into the film, but that featured the girls traveling in inclement weather. While Elsa didn’t keep her hood, a lot of the elements of this design ended up being adopted into her travel coat. We were so early in the process that we didn’t have a plan for color yet, so I was asked to work in greyscale. We don’t always work this way, but sometimes it is good to switch things up! After a few years away, it was so wonderful to work with these characters again. They just feel like home #frozen2#elsa#anna#disneyfrozen#disney
britsketch a écrit:
As we started to explore Elsa’s travel costume, we had just a few elements that we knew we needed to include. She needed to be wearing layers, her hemline had to be off the ground, and she needed to be wearing some kind of pant to support the amount of activity she would be put through. Also, if her costume could include an element that would move well in the wind (since we did know that Gale would be interacting with her), that would be a bonus. I thought it was important to include Gale in the design process to give everything a little more context. Normally on Frozen we try to hone in on a favorite design or two before we show our directors, but this was such new territory for us that we did show all of these designs (and probably more) to get their feedback. Ultimately, they asked for a combination of two of these designs and that is where we landed - can you tell which two? I love working with Elsa, and this assignment was certainly a challenge. The process of working on these films is always an exciting journey #frozen2#frozen#elsa#disney
Petit extrait officiel des charades à 7:22 chez Jimmy Kemmel.
Et les premiers avis!
Skyler Shuler a écrit:
I can’t believe I am saying this, but FROZEN 2 is better than its predecessor. Darker, a little more mature, but still an excellent film for families, the songs believe it or not are catchier, so parents beware. SEE THIS MOVIE! #Frozen2
Patrick Dougall a écrit:
I’m SOOO emo! #Frozen2 was PERFECT!!! I LITERALLY went thru every emotion possible in this film!!! Oh man! I’m going to be seeing this movie so many times!!!! @DisneyFrozen
Alisha Grauso a écrit:
#Frozen2 is breathtakingly beautiful and leans in on empowerment for its characters. I cried at least 3 times. From the story to the last thread on Elsa's dress, the care and love put into it shows. And, good news, every one of Team Elsa gets at least one solo this time around.
Drew Taylor a écrit:
Loved #Frozen2. It’s a darker, more complex and more emotionally mature story, continuing everything you love about the first movie and upping the ante while maintaining the intimacy of the original. Gorgeous animation, wonderful new characters and (FINALLY) a Kristoff song!
Clayton Davis a écrit:
#Frozen2 embarks as not just an evolution of its characters, but it sincerely acknowledges that it's fanbase has grown over the last 6 years, and they have new things to learn in a changing world. Songs are plentiful. Beautiful shots at times. It was something I REALLY needed.
Francis Dominic a écrit:
ARE YOU KIDDING ME?! FROZEN 2 IS ACTUALLY THE PERFECT SEQUEL! The magic, the depth, the healing from the TRAUMA! I couldn’t name a better Disney Sequel. You shouldn’t walk to see #Frozen2, YOU SHOULD RUN! Bravo, Disney. Thanks for making me UGLY cry in theaters.
Myth: A Frozen Tale, un nouveau court métrage en réalité augmentée va voir le jour, inspiré de l'univers de La Reine des Neiges 2. Avec en réalisateur Jeff Gipson et Brittney Lee pour la direction artistique.
Citation :
A new VR Short, Myth: A Frozen Tale, will debut at the World Premiere of #Frozen2. Directed by Jeff Gipson, the short is inspired by the world of Frozen 2 and utilizes the latest VR technology, an original music score, and stylized art direction by Brittney Lee.
Si jamais certains d'entre vous étaient Gold Members à la D23
TICKETS AVAILABLE 10/24: Join @DisneyAnimation and Women in Animation for a rare opportunity to enjoy dinner and a tour at Walt Disney Animation Studios. D23 Gold Members can be the first to purchase tickets, which include an advance screening of #Frozen2: https://t.co/cCG2u6M3ZGpic.twitter.com/uQiB6wo3OL
Et hop un premier record ! Celui de la bande-annonce d'un film d'animation la plus vue en 24h :
Thank you to the fans around the world for making the teaser trailer for #Frozen2 the most viewed animation trailer of all time, with a record-breaking 116.4 million views in 24 hours! pic.twitter.com/JhBCLkfPLh
À noter que cette information est erronnée puisque le record de la bande-annonce d'un film d'animation la plus vue en 24h appartient au Roi Lion avec 224.6 millions de vues.
Je suppose qu'il y a une spécificité, peut-être, infime qui fait que Le Roi Lion (2019) est considéré comme Live Action plutôt qu'animation. Le coté réaliste et non stylisé le fait peut-être pencher dans la catégorie film VFX plus que film d'animation (les différences sont flous, d'autant que les deux sont très souvent liés), tout comme la manière dont il a été "filmé", vu qu'il semble avoir mixé des techniques à la fois de prises de vues réelles et d'autres plus spécifiques aux VFX et à l'animation.
Pour revenir à Frozen II, comme certain(e)s, je vois la scène du début contre les vagues plus comme un défi (après pourquoi ce défi?). Elle ne me semble pas fuir quelque. Je suppose, au vu du trailer, qu'Anna et Elsa seront de nouveau séparées, peut-être de force (et devront peut-être faire face à leurs peurs? la mer qui a pris leurs parents pour Elsa, l'"enfermement" d'une grotte pour Anna...). Dans Frozen, on avait souvent la symbolique de la porte qui les séparaient, peut-être qu'ici ce sera à un moment la mer, qui crée un nouveau "mur" entre elles ? En plus la technique d'Elsa ferait un joli effet miroir avec le premier film, dans lequel elle marchait sur l'eau pour fuir sa sœur, ici peut-être qu'elle essaye de la rejoindre? #supposition#çavaetrelongjusquenovembre
Deux images officielles en HD pour admirer les détails ! (du genre... le flocon sur la "fesse" d'Olaf"?)
Et hop un premier record ! Celui de la bande-annonce d'un film d'animation la plus vue en 24h :
Thank you to the fans around the world for making the teaser trailer for #Frozen2 the most viewed animation trailer of all time, with a record-breaking 116.4 million views in 24 hours! pic.twitter.com/JhBCLkfPLh
À noter que cette information est erronnée puisque le record de la bande-annonce d'un film d'animation la plus vue en 24h appartient au Roi Lion avec 224.6 millions de vues.
On remarque que sur le logo, la glace semble avoir un peu fondu sur le bas et laisse apparaître de la pierre. C'est beaucoup plus flagrant sur le logo français que sur celui anglais.
Et hop un premier record ! Celui de la bande-annonce d'un film d'animation la plus vue en 24h :
Thank you to the fans around the world for making the teaser trailer for #Frozen2 the most viewed animation trailer of all time, with a record-breaking 116.4 million views in 24 hours! pic.twitter.com/JhBCLkfPLh
Un autre poste de Disney Animation sur Instagram qui fait vraiment envie aussi ^^
"Nothing is more exciting than getting back in the booth with this incredible team. Chris Buck, Jennifer Lee, Peter Del Vecho, Kristen Anderson-Lopez and Bobby Lopez along with John Lasseter and the amazing people at @disneyanimation have created a story that carries on the incredible legacy of the original #Frozen and continues to build and expand on the characters and themes in new and exciting ways. Unfortunately, that's all I can tell you right now. But, rest assured #Frozen2 is on the way and is going to be special. 11.27.19"
Je suis vraiment curieuse mais je leur fait entièrement confiance
Sujet: 
Sujet: 
Lun 8 Fév 2021 - 19:45
Avec Show Yourself et Some Things Never Change :
)
Les Cartoons
Pictured above are some early sketches...we drew a lot of noses
. Happy Monday!
)
. We quickly recorded the hilarious @joshgad and brought back everyone’s favorite 
