4 résultats trouvés pour TechTuesday

Walt Disney Animation Studios a écrit:: To have Elsa run across the Dark Sea in #Frozen2, Effects Animation collaborated closely with Layout and Animation early to simulate the ocean. This progression takes you through the stages of Layout, Animation, Effects and Lighting. #TechTuesday

Petite animation du chien sur l'un des cerfs-volants :

Walt Disney Animation Studios a écrit:: The puppy kite in our VR short, "a kite's tale," combines hand-drawn with CG animation to form one character. In cleanup animation, additional construction lines were also added to simulate the Xerography era of hand-drawn animation.
#TechTuesday : Tony DeRosa, Rachel Bibb

Et concept art :

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Walt Disney Animation Studios a écrit:: At #SIGGRAPH2019 yesterday, director Bruce Wright and lighting artist Angela McBride shared more about the making of our second VR short, "a kite's tale." Here's a look at concept art from the short by visual development artist Meg Park.

Du concept à la scène finale Tag techtuesday sur Disney Central Plaza 425715

Walt Disney Animation Studios a écrit:: This moment from Olaf's Frozen Adventure was carefully choreographed and required many iterations by the Effects and Lighting teams to achieve the proper pacing and optimal visual impact. The final version of the shot also incorporates a stylization of their research of optical ray caustics on ice surfaces. #TechTuesday

Je ne sais pas si d'autres ont aussi remarqué, mais Anna a inclus quelques inspirations de Kristoff dans sa tenue. On peut constater une ceinture similaire, et le bolero, au bas fendu, n'est pas sans rappeler une version féminine, courte et sophistiquée de la tenue du montagnard.

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En plus des motifs de cloche de Jul et de Julbock, on peut remarquer les petites boules blanches au niveau des manches et du bas de la robe, qui semblent rappeler la neige (clin d'œil à sa sœur?). D'ailleurs chez les deux sœurs, les doublures intérieures des robes sont du même rouge.

EDIT : Quelques vidéos Making-of, le parallèle entre Anna et Kristoff est donc bien volontaire :

Citation :: In order to create more than 600 frames of animation in this sequence from Olaf's Frozen Adventure, every character pose and background was painted on a predefined grid pattern. All of these painted assets were then assembled and animated (in sync with music) frame by frame, exported to a texture map, and then applied to a scarf model to accomplish this unique final aesthetic. #TechTuesday