Diverses étapes de production partagées par Josh Staub :
joshstaub.art a écrit:
In Disney’s Far From the Tree, the characters are CG animated, but the backgrounds are painted in a more traditional manner. Here’s a simple behind-the-scenes look at a typical shot. . 1) I begin the background painting by using traditional marker and pencil on photo paper based on a simple modeled layout and camera setup defined by the incredibly versatile @joabaldwin (see step 2). Once I’m happy with the marker sketch I scan and assemble the pieces in photoshop until arriving at the final background painting. I also draw/paint the characters in place to visually explain to downstream departments how they should appear in the shot. . 2) @joabaldwin then updates the rough 3D model to match the final painting, which then becomes the foundation for the placement of the characters for animation, and also because we need it to make the film work in stereo (3D)! . 3) The CG animation team (led by the brilliant @chadsellz) creates the tear jerking and/or hilarious character performance. The characters are then rendered flat and receive a visual treatment (lines, shadows, eye specs) to make them “appear” 2d animated (this was a technique I originally developed for a short circuit project - Exchange Student, also directed by @tallychyck, more on that in a future post). Finally, the Lighting team (led by the innovative @rogerlee.art) integrates the characters with the background and adds the finishing artistic touches (reflections, water movement, caustics, dynamic shadows), to make the shot sing! This was actually one of the dozen or so shots I also lit for the film. . Far From the Tree was a labor of love for all who worked on it and I couldn’t be more proud of the team and the final result. Enjoy the film in theaters with Encanto! . #farfromthetree#disney#disneyanimation#animation#encanto#conceptdesign#conceptart#productiondesign#waltdisneyanimationstudios
This was the first completed shot of Far From the Tree, from which we learned so much about how to animate and then integrate the cg characters (meant to look hand drawn) with a 2d traditionally painted environment. This shot also includes a subtle camera move which also posed a challenge. . Once this shot was finished I was confident in the technique and that we could make it work for the rest of the project. . 1) My first background painting (of 92 paintings in total!) for Far From the Tree, done traditionally using copic markers and pencil and then scanned and assembled in photoshop. I also draw/paint the characters in place to guide the downstream departments. . 2) The completed shot from the film! Go see Far From the Tree in theaters with Encanto! . #farfromthetree#disney#disneyanimation#waltdisneyanimation#waltdisneyanimationstudios#encanto#painting#animator#painting#conceptdesign#animationart
joshstaub.art a écrit:
Here’s another background painting from Far From the Tree which I painted traditionally and then assembled in photoshop … but what does that mean exactly? Here’s what: . 1) Final background painting (to provide context for the following slides). I also paint the characters in place to guide downstream departments. . 2) Layout render (roughly modeled by the versatile @joabaldwin), which I use for reference in order to make sure the camera and characters will be in sync. This is actually the starting point. . 3) Scanned pencil and copic marker drawing/painting of the tree element done on real paper to match the rough model … I had to paint many elements like this in separate pieces in order for the 3d and camera moves to work! . 4- Cutting out and assembling the scanned pieces in photoshop! . 9) The final shot from the film, first animated in cg by @bhomman, then with the 2d character look technique and dappled lighting applied by the incredible lighting team! . Go see Far From the Tree on the big screen with Encanto while you still can!
I was honestly really thankful to have been given the chance to make the colour script for the short. I’ve never made one before (and am usually too scared to paint when there are way more qualified artists to do it) but @tallychyck gave me a chance and @dethancooper_art guided me through the process. I still have a long way to go, but I was proud of it . - #farfromthetree#disney#disneyanimation #visualdevelopment
Early color script for Far From the Tree, the beautiful short showing before Encanto in theaters now. Painted over the existing storyboards… Thanks to @tallychyck for directing such a charming short and allowing me to contribute For students, the idea behind this was to capture both the mood and the light of the Pacific Northwest area…. Starting off neutral sunlight/ complimentary shadows, then darker and cooler to feel more foreboding… and finally beautiful twilight towards the end…
Swipe to see ending of script and beautiful reference inspirational images on the bottom designed by @man_arenas Final production by @joshstaub.art Final colorscript by @jamwoods_
Comme on s'y attendait, Encanto est pour le moment un nouveau carton critique pour les Walt Disney Animation Studios
Courtney Howard a écrit:
#Encanto/ @EncantoMovie is a joyful, jubilant ode to family with the perfect blend of heart & humor. Enchanting, hugely entertaining, awe-inducing & dazzling. A must-see magical marvel. Lin-Manuel Miranda’s songs will make you tap your feet & make tears fall.
Scott Menzel a écrit:
Encanto is a visual and musical feast for the eyes & ears. A joyous animated celebration of Colombian culture & family. Lin-Manuel’s music continues to impress and is very likely be recognized for Best Original Song. Loved all the characters especially Mirabel and Bruno. #Encanto Lastly, kudos to Byron Howard Jared Bush & Charise Castro Smith for telling a story that not embraces and celebrates culture, but does so in a way that is relatable to everyone including children of all ages. This film conveys the kind of Disney magic that I want to see more of.
Michael Lee a écrit:
#Encanto enchants w/ its beautiful Colombian cultural specificities, colorful visuals, and emotionally resonating themes of family. 60 films in, Disney still finds ways to captivate its audience with their animated musicals. This one is a real tearjerker but also such a joy! Because representation is important, it’s worth nothing that #Encanto is largely, not entirely, comprised of a Colombian and Afro-Latino cast. So it was great to see that representation reflected in the visuals and voice casting. LMM comprised eight songs that are a love letter to Reggaton, Salsa, and Colombia itself. So much fun but also deeply emotional. If the Moana soundtrack has been on constant rotation, get ready for #Encanto to bust through your speakers. Soo good.
The Distracted Tatiana a écrit:
#Encanto may be one of the best films I’ve seen all year. I was genuinely touched throughout, and couldn’t stop myself from dancing in my seat. From pitch perfect performances to gorgeous animation to storylines that really hit home, this movie is set to be a classic!
Matt Neglia a écrit:
ENCANTO is a radiant & heartfelt story about family, culture & individuality. Stephanie Beatriz brings the right level of warmth & spirited liveliness to Mirabel while Lin-Manuel Miranda crafts a series of wonderfully wholesome & catchy songs. I was moved to tears by the end.
Clayton Davis a écrit:
#Encanto is magnificent! Afro-Latinos present, our culture alive, a story of ours told. Relates to anyone fighting to live up to expectations. Wept like a baby. The 60th Disney feature is one of their best. Loved it to bits.
Lyra Hale a écrit:
#Encanto had me crying, laughing, and enjoying myself from start to finish. It's a beautiful film with an amazing cast of characters that you can't help but love! Also, you thought you liked Luisa now? Wait til you see her truly blossom! You'll love her!
Aaron Fraggle a écrit:
#Encanto is super cute! Stephanie Beatriz, Diane Guerrero and Jessica Darrow shine. I loved the music, the songs are so fun and lively. It’s got a beautiful message about self worth, and it was refreshing to see some Afro-Latinx characters not just in the background, but as part of the main cast.
Andres Cabrera a écrit:
Encanto is stunning! A colorful display of the visual and cultural wonder of Colombia. The film is filled with life, vibrant colors, lively music and memorable, charismatic characters. It warms my soul to see a Disney film celebrating Colombia. Que se escuche mi gente! #Encanto
Kristen Lopez a écrit:
#Encanto deals with some complex issues regarding family expectations. Definitely have to simmer on it (similar to how I felt after INSIDE OUT). Songs are good. Visuals are on par with the beauty of RAYA AND THE LAST DRAGON.
The Illuminerdi a écrit:
#Encanto is pure #Disney magic! The voice acting is amazing across the board with @iamstephbeatz bringing hilarity and heart to her performance. The animation is gorgeous, the story is brilliant, and the music is absolutely phenomenal!
Alerte Info - Urgent - Incroyable ! #DisneyPlus a intégré un contenu #Disney ce mercredi !!! Bon, un seul sur les six rajoutés... Mais c'est tellement rare, que ça mérite d'être souligné...
(Cliquez sur la photo pour accéder à notre moteur de recherche sur le contenu de la plateforme)
I've been putting off posting as it makes it seem even more final, but just like that after arriving in Vancouver on 9th January, it's a wrap on Peter Pan and Wendy, and my 'awfully big adventure' has come to an end.
Thank you to our most wonderful director David Lowery, @disneystudios, the producers and the casting team for putting their faith in me.
My 'Neverland Passport' is full and so is my heart . Full of so many magical memories to last a lifetime and many, many very special people, across cast and crew, who I have shared this experience with . I hope we get to meet up again in Neverland soon
That’s a wrap! Can’t really put into words how amazing the last 7 months have been! Thank you so much to #davidlowery for trusting me to to play #johndarling. To @disney for taking us all on this amazing adventure. My wonderful agent @ajartist84 for always believing in me and thank you to my wonderful cast mates @everanderson @alexandermolonyofficial @sebastian_billingsleyrodriguez @caelanedie @florencebensberg @theyatestwins @noahmatthewsmatofsky @felixdesousaofficial @diana.tsoy.official @wapanatahk @jimgaffigan @garfieldawilson @allusernamestakenaddie #judelaw#disneyliveaction@disneyplus#disneyplus#peterpanandwendy#makingmovies#neverland#peterpan#canada#newfoundland#vancouver
florencebensberg a écrit:
So that's a wrap on Peter Pan & Wendy. It's difficult to express just how special the last 6 months have been. So grateful to my friends that are the amazing cast and crew, Disney, the producers and to the incredible director David Lowery who has inspired and encouraged me in so many ways. In making this movie we truly all became Lost Boys for real. Forever
Il y a quelques temps, Ever Anderson postait également quelques mots accompagnés de photos :
everanderson a écrit:
I’m in my happy place with one of my best friends (and on screen brother) @joshuabluepickering! It doesn’t hurt to also be in #newfoundland one of the most beautiful locations in the world filming my first lead role in #peterpanandwendy! #everanderson#disney#bestfriends
Une carte de remerciement envoyée à Moonlight Feather (vendeurs de plumes) dévoile également un concept art :
moonlightfeather a écrit:
We received this Thank You card from the set director for the upcoming Disney live action film Peter Pan and Wendy 🤩🧚🪶 Everyone on the phone was super nice, and can’t wait to see this movie in 2022! #moonlightfeather#peterpanandwendy#liveactionfilm#disney
PEARLS - so in the film (second photo) you don’t see the detail in this look but there are tiny pearls glued to Emily’s eye to follow the winged makeup. This was then the inspiration for Emily’s look for the premiere. I loved the delicacy of this look and wished you could see it more. I can’t wait to see some of you create this and tag me. @cruella_2021 #cruella#makeup#makeupinspo#makeuplooks#makeuplover#cruellamakeup#makeupartistsworldwide#cosplay#devilisinthedetails
nadiastaceyhairmakeupdesign a écrit:
CLOSE UP - THE PAST - this is when Cruella takes over the baroness. One of my favourite looks. One of the maddest looks. Cruella always have a beauty spot and Estella doesn’t.’but for this look we wanted to make it a cross. Teamed with a crown from @nadiasemanic it was so fun to walk Emily to set this night with her amazing costume @cruella_2021 #cruella#makeup#designer#hair#hairstyles#hairstyles#makeuplooks#makeupinspo#makeuplooks#makeupaddict#makeuplover
nadiastaceyhairmakeupdesign a écrit:
HORACE- my inspiration for the punk runway was Johnny Rotten of @pistolsofficial and I really wanted to spray Horace’s hair for this scene but our director wasn’t sure, I begged him to let me do it and got our cinematographer onside to convince him too. Horace’s hair and makeup applied by @danicasalix #hair#makeup#designer @cruella_2021 #cruella#sexpistols_official#punk#punkfashion#punkhair
Jungle Cruise sera lui aussi proposé à la fois au cinéma et sur Disney+ en Premier Access le 30 juillet 2021!
therock a écrit:
On JULY 30th JUNGLE CRUISE hits theaters AND your homes worldwide
It’s a pleasure to say WE’RE BACK IN THEATERS! And it’s a pleasure to say, WE WILL ALSO COME TO YOU!
Join my ace Emily Blunt (the female Indiana Jones) and myself on THE ADVENTURE OF A LIFETIME as our DISNEY’s JUNGLE CRUISE hits theaters and your living rooms ON THE SAME DAY - JULY 30th.
The most important thing with our movie was to ALWAYS take care of families around the world by giving you options to watch it.
Audience first
Let’s own our 2021 comeback as we get back into the swing of life - ALL ABOARD!!
#JUNGLECRUISE #Disney In theaters AND in your living rooms on Disney+ Premiere Access on JULY 30th!!!
And a big @teremana toast of gratitude from deep in my bones to a 20 year career dream come true
Certains chanceux ont eu accès à des projections de quelques minutes de Raya :
I just screened 25+ minutes of @DisneyRaya. What an amazing and MAGICAL film! Gorgeous animation,a heartfelt story with new #Disney characters you will love. Raya, Sisu & TukTuk are gonna win you over. In a time with so much division, #DisneyRaya stresses the importance of unity. pic.twitter.com/TgjYqvfrRo
Saw early footage of #DisneyRaya, and I can't wait to see it in its entirety. It's rich in SEA representation. That comes through in its architecture, costumes, food, landscape, mythology, & weaponry. Raya, Sisu & TukTuk bring fun to a film that has unexpected Indiana Jones vibes pic.twitter.com/bx4Lt6LqNg
Screened 25+ minutes of Disney's Raya and the Last Dragon. WOW! Stunning. Captivating. Intriguing. Raya is full of sass, heart, & kicks serious butt - I adore her already. Sisu is hilarious & Tuk Tuk is my new favorite animal sidekick. Can't wait for more @DisneyRaya! #DisneyRayapic.twitter.com/FzYr23C6cu
Just screened nearly 30 minutes of @DisneyAnimation’s new feature #RayaAndTheLastDragon. Beautiful landscapes, epic music and equal devotion to action, comedy and character drama. It’s in theaters and on Disney+ March 5th. Looking forward to watching entire film soon. #DisneyRayapic.twitter.com/lsARQf3Upq
Got to see footage from Raya and the Last Dragon today... Can we put Kelly Marie Tran in everything, ever please? Raya’s great and has a bit of an Indiana Jones streak to her, which I loved. Awkwafina’s Sisu brings an unpredictably fun energy to the adventure too. #DisneyRayapic.twitter.com/e1jHtzKTrF
Sauf que se balader avec un poisson, vivant ou mort, est plus "problématique" qu'une saucisse (qui en plus est plus proche d'une carotte, et donc du design habituel du personnage)
Our small and mighty story team @sharktooth72 @cisforfrenchfry @seth.boyden.art @dlee08 were so FUN to work with. I love the collaborative process and story geniuses @disneyanimation , they bring the laughs, and the heart to every drawing and panel they do Pictured above are some early sketches...we drew a lot of noses Do you have a favorite? We were really trying to emulate a board driven story room, where the best ideas rise to the top and the story artists have freedom to play. I love looking back on these, from over a year ago in June 2019.
Suite des coulisses par Trent Correy (on remarquera le poisson à la place de la saucisse, le poisson n'étant désormais qu'un nez furtif dans la version finale):
trentanimation a écrit:
Part 2 #onceuponasnowman behind the scenes! As I mentioned in my last post, this idea started wayyyy back in 2012/2013 with some simple doodles...and for years I chipped away at it, on and off in many different forms. A short film, a children’s book, a musical(more to come)...because I truly felt this was an idea worth pursuing, I just had no idea how, when or if it would ever happen. Finally, I saw an opportunity for this little short to have a home, when @disneyplus launched and @disneyanimation was starting to look for new ideas. SO, I pulled together 6-7 years worth of doodles, ideas and writing and put a pitch package together! More to come about pitching and how @sharktooth72 and I partnered up to work on this fun little project!!!
En Août, Luke Evans partageait une autre photo d'essayage du costume de Gaston pour le film de 2017, à l'occasion de la sortie sur Disney+ de ce dernier :
Trent Correy nous partage quelques recherches autour du court-métrage, idées qui datent de 2013 :
trentanimation a écrit:
Creating #onceuponasnowman has been an unbelievable journey and a true highlight of my career. Every few days I will post some behind the scenes stories, drawings and write about my experience...let’s start from the beginning!
Back in 2012 I started my dream job @disneyanimation as an #animation trainee! My very first film at #disney was #frozen working as a crowd animator and eventually animating my first Disney character #olaf under the supervision and mentorships of @mrhyrum !!! When I started animating on Frozen, #letitgo was being created...it was magical to witness it coming to life. I remember @chadsellz beautifully animating #elsa making #olaf ...creating life for the first time...and then, she just walks away and continues singing. At that exact moment, I knew there was an origin story, beginning during Let it Go and connecting 20 minutes later to where Olaf walks into all of our lives and gets his carrot nose.
I got out my pen and paper and just started writing, doodling and dreaming up a story. These are the original sketches from early 2013...it’s so hard for me to believe that 7 years later, I would have the privilege of bringing this little story to life with @sharktooth72 and all the amazing talents @disneyanimation .
FR : Créer Les Aventures d'Olaf a été un voyage incroyable et un véritable moment fort de ma carrière. Durant les prochains jours, je publierai des histoires des coulisses, des dessins, et j'écrirai sur mon expérience ... Commençons par le début!
En 2012, j'ai commencé mon travail de rêve aux Walt Disney Animation Studios en tant que stagiaire en animation! Mon tout premier film à Disney était La Reine des Neiges en tant qu'animateur de foule et finalement en animant mon premier personnage de Disney, Olaf, sous la supervision et le mentorat de Hyrum Osmond !!! Quand j'ai commencé à animer sur Frozen, Let It Go était en cours de création ... C'était magique de la voir prendre vie. Je me souviens que Chad Sellers animait magnifiquement Elsa créant Olaf... Créant la vie pour la première fois... Puis, elle s'éloignait en continuant de chanter. À ce moment précis, je savais qu'il y avait une "origin story", commençant pendant Let it Go et reliant 20 minutes plus tard à l'endroit où Olaf entre dans toutes nos vies et obtient son nez de carotte.
J'ai sorti mon stylo et mon papier et j'ai juste commencé à écrire, à griffonner et à imaginer une histoire. Ce sont les croquis originaux du début de 2013 ... j'ai tellement de mal à croire que 7 ans plus tard, j'aurais le privilège de donner vie à cette petite histoire avec Dan Abraham et tous les incroyables talents de Disney Animation.
Leçon : Continuez à rêver... Faites-le parce que vous êtes passionné par l'idée, parce que vous croyez en l'idée et peut-être... juste peut-être (parfois même 7 ans plus tard) l'occasion pourrait se présenter de concrétiser ce rêve.
Alors que des rumeurs (pincettes à prendre donc) évoquent la possible sortie d'un premier teaser dans les deux prochaines semaines, nombreux sont les animateurs qui finissent actuellement leurs derniers plans pour le film :
I officially finished my last shot on "Raya" This movie has it all for me, beautiful visuals, exciting adventure , compelling characters...! I'm super proud of being part of it and I cannot wait for the world to see it! #disneyanimation#RayaAndTheLastDragonpic.twitter.com/vjoPTz8vni
Raya et le Dernier Dragon aura eu une production bien particulière car les différents membres des équipes travaillent toujours à distance depuis chez eux depuis des mois, ne retournant aux studios qu'en de rares occasions (des projections tests notamment). La "fin" de la partie animation ne signifie pas que le film est terminé, beaucoup d'autres étapes restent à finir (en plus de possibles ajouts/retouches d'animations).
Quelques Concepts Art visibles dans le dernier volume de They Drew As They Pleased de Didier Ghez :
Images partagées sur Twitter :
[scoop] Mike Gabriel et Michael Giaimo ont également travaillé sur #Gigantic, un conte de fées finalement abandonné par #Disney et dont #DidierGhez partage ici les premières images ! 8/9 pic.twitter.com/9gixqk1KUi
Vu la manière dont Josh Gad l'a annoncé, je me demandais si c'était une blague J'espère qu'on ne suivra pas Olaf à la recherche d'un nez Pas très fan du titre français... d'autant qu'il ressemble beaucoup au titre que le moyen-métrage de Noël possède au Québec, La Reine des neiges : L'Aventure givrée d'Olaf.
À noter que Dany Boon reprend le rôle d'Olaf pour ce court-métrage, alors que le bonhomme de neige était repris jusqu'ici par Emmanuel Curtil dans toutes les autres aventures dérivées :
Avec tout ses bandes annonces, teaser, trailer, extraits vidéos qui diffusés depuis le mois de Mars, on aura vu le film avant de le voir.
Tiens je me disais justement qu'on n'avait pas encore vu ce genre de commentaires Ce sont les promo habituelles de Disney(sachant que beaucoup sont de simples ressorties et réactualisations de la promotion pour la sortie d'origine au cinéma), et rien ne vous force à regarder si vous craigniez de trop en voir
Petite anecdote de tournage dévoilé par la réalisatrice Niki Caro : le premier jour de tournage a commencé un jour plus tôt. Le budget et le calendrier (74 jours) ne laissait pas le temps de tourner des images de Mulan se préparant pour la marieuse, au grand dam de la réalisatrice. Mais la 1ère assistante réalisateur Liz Tan a réussi à permettre à à Niki Caro et Mandy Walker, directrice de la photographie, de tourner lors du dernier jour de préparation.
Citation :
Our first days shoot actually started a day early. Our budget and schedule (74 days) did not allow time to shoot a montage of Mulan getting dressed up for the matchmaker, which devastated me. So the ever fabulous Liz Tan @celluloidgypsy 1st AD and all around goddess warrior genius filmmaker contrived to allow Mandy and I to shoot on our last day of prep. I had always been determined to bring vibrant color to this movie (my colleagues will remember the wars I waged against the color brown) and to see our first images come through like this was thrilling. Thank you to Make-Up Designer Denise Kum @denisekum . Gracias to Costume Designer Bina Daigeler @bina_daigeler_costumedesign . And gratitude to you too Mandy Walker! @mandywalkerdp. My girls. Dream Team. But with special thanks to Liz who’s had my back since Whale Rider. A cunning fox and a cherished collaborator. May we have many more adventures around the world together #Mulan#Disney#yifei_cc#loyalbravetrue
Test caméra partagé par la réalisatrice sur son compte instagram !
nikicaro a écrit:
Camera Tests...
One of the very important things we do in the last weeks of pre-production are camera tests with the actors. It gives us an opportunity to see the characters for the first time, on film, in hair, makeup and costume. Generally it involves actors walking to and from the camera, but I like to encourage them to be in character and to enjoy the experience. This is a little clip we cut together to show the studio. It was their first glimpse of the new Mulan - as a village girl, a male soldier, and a warrior woman. Also their first look at her squad - our beloved group of boys and their sergeant. I love them all - and I love this piece cut by editor David Coulson #mulan#disney#yifei_cc#loyalbravetrue
Et le commentaire de Tony Bancroft, coréalisateur de Mulan (1994) :
pumbaaguy a écrit:
I love these process posts you have been sharing. It feels very exclusive. Thank you.
Selon Grace Randolph de la chaine Youtube Beyond the Trailer, Disney+ pourrait se voir ajouter une section "adulte" pour les contenus 20th Century Fox et Touchstone, accessible par code à la manière d'un contrôle parental.
Niki Caro, la réalisatrice, ne s'est pour le moment pas exprimée autour de la sortie de Mulan. Sur son compte instagram, NikiCaro, elle partageait régulièrement des vidéo des coulisses pour faire patienter malgré les nombreux reports. En mai, dans son dernier messages autour de Mulan, elle parlait d'expérimenter l'un des plans du film sur le plus grand écran possible...
Nikki Caro a écrit:
While XY Studios were a huge gift to the production design of MULAN, it lacked one crucial thing - a killer establishing shot of the Imperial Palace. We needed stairs - the more dramatic the better - for a couple of essential moments in the movie. We found them Hengdien, in Zhejiang province. We were very inspired by the amazing shot on these stairs at beginning of ‘Hero’, but knew we need an iconic shot of our own. Here’s Mandy @mandywalkerdp masterminding such a shot on one of our many location scouts, and the drone which eventually captured it. My strong advice would be to experience the shot on the largest possible screen. It’s super cool. #mulan#disney#yifei_cc#warrior#loyalbravetrue
Myth: A Frozen Tale est nommé dans la catégorie VR Film of the Year aux VR Awards!
Concept Art partagé par par Brittney Lee :
britsketch a écrit:
Huge congrats today for the wonderful team who worked on Myth: A Frozen Tale as it was just nominated by @aixrorg for VR Film of the Year! To celebrate, here is one of the most fun/dramatic pieces of artwork I got to work on for the show - the dark Nokk! (swipe for a closer look ) This was a joy to work on and I’m so happy and proud for this wonderful team. Thanks @jeffkgipson and @nickaruss for letting me be a part of it!! #mythafrozentale#nokk#frozen2#disney#frozen
Dans une interview pour CNBC (lien : Watch CNBC's full interview with Disney CEO Bob Chapek), Bob Chapek a confirmé la date de sortie de Mulan en juillet : "Nous sommes des optimistes chez Disney. Et je pense que c’est une très bonne date de sortie pour ce film". Pour autant, il n'exclu pas de reporter une nouvelle fois le film suivant l'évolution de la situation.
En attendant la sortie, la réalisatrice Niki Carro nous partage quelques informations sur le costume de Mulan :
nikicaro a écrit:
It’s hard to overestimate how important costume design is on a movie of this scale and scope. Costume Designer Bina Daigeler @bina_daigeler_costumedesign began with Mulan’s most critical costume. This costume needed to disguise Mulan as a man, but then reveal her as a woman. It needed to take her to war, (armour) but also move with her through martial arts based action choreography. Bina approached the design with her trademark intuition and logic, and her abundant artistry and creativity. The shots of Mulan fighting are some of my favorites in the movie. I see a fearless warrior, but I also see a real woman. I love how Bina’s design reveals the strong, female body. I love how it moves with Yifei - how it’s both tough and flexible. I think Bina created something genuinely iconic, and one of my most cherished dreams is one day seeing a whole tribe of little warrior Mulans on Halloween... #mulan#disney#yifei_cc#warrior#loyalbravetrue
/ Il est difficile de surestimer l’importance de la conception de costumes dans un film de cette envergure et de cette portée. La costumière Bina Daigeler @bina_daigeler_costumedesign a commencé avec le costume le plus complexe de Mulan. Ce costume devait déguiser Mulan en homme, puis la révéler en tant que femme. Il fallait l'emmener à la guerre (armure), mais aussi avancer avec elle à travers des chorégraphies d'action basée sur les arts martiaux. Bina a abordé le design avec son intuition et sa logique, son art et sa créativité abondants. Les plans des combats de Mulan sont certains de mes préférés dans le film. Je vois un guerrier intrépide, mais je vois aussi une vraie femme. J'adore la façon dont le design de Bina révèle la force du corps féminin. J'adore comment il bouge avec Yifei - à la fois dur et flexible. Je pense que Bina a créé quelque chose de vraiment emblématique, et l'un de mes rêves les plus chers est de voir un jour toute une tribu de petits guerriers Mulan à Halloween.
Merci MadEye! Désolé pour la petite manip/tri à faire, je ne pensais pas en partageant le premier épisode qu'il y en aurait finalement autant.
Pour ceux qui s'intéressent à la création des films, voici quelques étapes partagées par Jay Jackson, artiste et superviseur au Walt Disney Animation Studios, qui permettent de mettre en lumière les différentes couches de détails, l’importance des textures et des ambiances données grâce à la lumière :
jay_v_jackson a écrit:
A breakdown of one of my shots from Frozen 2- lighting by @masonkhoo ! We ended up putting some xgen ice diamonds in the wall for this effect! .
Another breakdown of a set I worked on for Frozen 2. From the model our dept receives, to added detail sculpting and xgen plants, then color and reflectance, and final lighting which was done by Ayman Akoshali. I love working on films because it’s such a large team effort to make a project like this! .
Sorti le 7 février 1940, Pinocchio fête ses 80ans ! En France, il arriva dans les salles en 1946 sous le nom de La Merveilleuse Aventure de Pinocchio, avant de se simplifier en Pinocchio.
The Walt Disney Company France a écrit:
Il y a 80 ans aujourd’hui qu’est sorti le 2ème long-métrage d’animation de Walt Disney, Pinocchio. Il parvient à donner l’illusion de la profondeur grâce à la caméra multiplane, une innovation des studios #Disney. Walt avait tout de suite vu que le personnage du pantin de bois qui rêve de devenir un petit garçon n’avait pas une personnalité assez forte pour porter tout le film et c’est lui qui eut l’idée de faire de Jiminy Cricket (qui ne fait qu’une apparition dans le roman d’origine : "Les Aventures de Pinocchio") un personnage à part entière, la conscience de Pinocchio. Depuis, le grillon, magnifiquement doublé depuis 1975 en version française par le légendaire Roger Carel (“l’homme aux mille voix”), est devenu l’un des héros préférés du public. Pinocchio a obtenu 2 Oscars, l’un pour ses musiques et l’autre pour sa chanson, devenue le symbole de l’animation Disney : “Quand on prie la bonne étoile”.
Sujet: 
Les Cartoons
Sujet: 
Mar 28 Déc 2021 - 15:15
Cutting out and assembling the scanned pieces in photoshop!
. Happy streaming Encanto and Far From the Tree
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. Full of so many magical memories to last a lifetime and many, many very special people, across cast and crew, who I have shared this experience with 
Everyone on the phone was super nice, and can’t wait to see this movie in 2022! 
(@asthebunnyhops) 
Pictured above are some early sketches...we drew a lot of noses
. Happy Monday!
(@stodoe) 
J'espère qu'on ne suivra pas Olaf à la recherche d'un nez 
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