5 résultats trouvés pour waltdisneyanimation

À l'occasion du Disember, John Ripa a partagé une animation de Jim Hawkins datant de la production du film lors du jour dédié à La Planète au Trésor:

John Ripa a écrit:

A little bit of my animation from #treasureplanet for #disember I tried to flip it so you could see the motion but it kept skipping. Sorry, I tried. Also, I have call out @alikigreeky who worked with me on TP and did the ruff inbetweens on this scene. So a special thanks to her because a lot of these drawings are hers. Hope people enjoy. #jimhawkins #roughanimation

Certains de ses autres dessins :

John Ripa a écrit:

Going through old boxes. Rough drawing I did of Jim Hawkins from Treasure Planet. #Disney #animation #drawing #treasureplanet

John Ripa a écrit:

Came across this the other day. Model sheet from drawings I did on my first scene of Jim on Treasure Planet. #Disney #animationdrawing #animation #treasureplanet #jimhawkins

John Ripa a écrit:

Rough animation drawing from Treasure Planet this morning. Everyone have a good Friday and weekend! #fridaypost #roughdrawing #animationdrawing #animation #treasureplanet #waltdisney #disneyanimation #jimhawkins

John Ripa a écrit:

Old sketch for the maquette of Jim on Treasure Planet. #maquette #waltdisneyanimation #roughsketch #jimhawkins #treasureplanet #2danimation #somethingold #throwbackthursday

John Ripa a écrit:

Drawing I did of Jim and Morph early in the development of Treasure Planet. #throwback #jimhawkins #treasureplanet #morph #developmentsketch

Suite des images de Josh Staub !

joshstaub.art a écrit:

Another set of backgrounds for Far From the Tree. I painted them traditionally using pencil and copic markers, and then assembled them in Photoshop (see previous post!).
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Since the paintings are used as the actual backgrounds for the final shots I also draw/paint the characters in place (original character designs by the brilliant @jamwoods_) to guide downstream departments, including lighting, for which these also served as the lighting keys.
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The backgrounds are a bit larger than they will appear in the final shots (note the red and blue lines in the bottom two paintings) to allow for flexibility later on (for example if we decide to adjust the framing of the shot, or need to perform a simple camera move). Enjoy!
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#farfromthetree #disney #disneyanimation #waltdisneyanimationstudios #animator #artistsoninstagram #animationart #encanto

joshstaub.art a écrit:

Another one of my background paintings from Far From the Tree. Each layer is painted traditionally on paper using pencil and copic markers and then scanned and assembled in photoshop.
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1) The final shot in the film.
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2) This shot has a slight camera push-in, so I had to paint the trees, sky, and haystack rock (beloved icon of the Oregon coast!) as separate layers. The painted clouds and water were elegantly animated using Nuke by the incredible lighting team (led by @rogerlee.art), so I paint them as separate layers as well.
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3) I draw/paint the characters in place to communicate to downstream departments how they should appear in the shot. This also serves as the lighting key for the lighting team.
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4) The final painting in layers with the additional trees (which will also be subtly animated by lighting to match the camera push-in).
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Go see Far From the Tree in theaters with Encanto!
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#animation #farfromthetree #disney #disneyanimation #waltdisneyanimation #encanto #conceptdesign #painting #animator #artistsoninstagram #oregon #oregoncoast #haystackrock
#animationartist"

Diverses étapes de production partagées par Josh Staub :

joshstaub.art a écrit:

In Disney’s Far From the Tree, the characters are CG animated, but the backgrounds are painted in a more traditional manner. Here’s a simple behind-the-scenes look at a typical shot.
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1) I begin the background painting by using traditional marker and pencil on photo paper based on a simple modeled layout and camera setup defined by the incredibly versatile @joabaldwin (see step 2). Once I’m happy with the marker sketch I scan and assemble the pieces in photoshop until arriving at the final background painting. I also draw/paint the characters in place to visually explain to downstream departments how they should appear in the shot.
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2) @joabaldwin then updates the rough 3D model to match the final painting, which then becomes the foundation for the placement of the characters for animation, and also because we need it to make the film work in stereo (3D)!
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3) The CG animation team (led by the brilliant @chadsellz) creates the tear jerking and/or hilarious character performance. The characters are then rendered flat and receive a visual treatment (lines, shadows, eye specs) to make them “appear” 2d animated (this was a technique I originally developed for a short circuit project - Exchange Student, also directed by @tallychyck, more on that in a future post). Finally, the Lighting team (led by the innovative @rogerlee.art) integrates the characters with the background and adds the finishing artistic touches (reflections, water movement, caustics, dynamic shadows), to make the shot sing! This was actually one of the dozen or so shots I also lit for the film.
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Far From the Tree was a labor of love for all who worked on it and I couldn’t be more proud of the team and the final result. Enjoy the film in theaters with Encanto!
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#farfromthetree #disney #disneyanimation #animation #encanto #conceptdesign #conceptart #productiondesign #waltdisneyanimationstudios

joshstaub.art a écrit:

1) Another painting for Far From the Tree, done traditionally using copic markers and pencil and then scanned and assembled in photoshop. I also draw/paint the characters in place to guide the downstream departments.
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2) The final shot from the film! Go see Far From the Tree in theaters with Encanto!
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#farfromthetree #disney #disneyanimation #waltdisneyanimation #waltdisneyanimationstudios #encanto #painting #concept #conceptdesign #animationart

joshstaub.art a écrit:

This was the first completed shot of Far From the Tree, from which we learned so much about how to animate and then integrate the cg characters (meant to look hand drawn) with a 2d traditionally painted environment. This shot also includes a subtle camera move which also posed a challenge.
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Once this shot was finished I was confident in the technique and that we could make it work for the rest of the project.
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1) My first background painting (of 92 paintings in total!) for Far From the Tree, done traditionally using copic markers and pencil and then scanned and assembled in photoshop. I also draw/paint the characters in place to guide the downstream departments.
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2) The completed shot from the film! Go see Far From the Tree in theaters with Encanto!
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#farfromthetree #disney #disneyanimation #waltdisneyanimation #waltdisneyanimationstudios #encanto #painting #animator #painting #conceptdesign #animationart

joshstaub.art a écrit:

Here’s another background painting from Far From the Tree which I painted traditionally and then assembled in photoshop … but what does that mean exactly? Here’s what:
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1) Final background painting (to provide context for the following slides). I also paint the characters in place to guide downstream departments.
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2) Layout render (roughly modeled by the versatile @joabaldwin), which I use for reference in order to make sure the camera and characters will be in sync. This is actually the starting point.
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3) Scanned pencil and copic marker drawing/painting of the tree element done on real paper to match the rough model … I had to paint many elements like this in separate pieces in order for the 3d and camera moves to work!
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4- Cutting out and assembling the scanned pieces in photoshop!
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9) The final shot from the film, first animated in cg by @bhomman, then with the 2d character look technique and dappled lighting applied by the incredible lighting team!
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Go see Far From the Tree on the big screen with Encanto while you still can!

Quelques idées pour la transformation de la robe d'Elsa partagées par Kee Suong, animateur d'effets aux studios Disney :

Kee Suong a écrit:

It was a privilege and honor to work on Elsa’s dress transformation. Working from Dan Lund’s initial concepts, these were my paint-over ideas for the final looks for stage1 & 2 of the transformation. Getting this approved was a big first step.
#frozen #frozen2 #elsa #disney #disneyanimation #waltdisneyanimation #waltdisneyanimationstudios #showyourself #dresstransformation #effects #specialeffects

D'autres liens vers des vidéos ici :

- Evolution de la robe d'Elsa durant "Je te cherche" : https://www.instagram.com/p/CCh9Cnjhv-u/
- Effet de brouillard lors de la chanson "Dans un autre monde" : https://www.instagram.com/p/CCkb5zThli6/

D'ailleurs la VF semble avoir essayé de "gommer" un peu cette théorie.
Dans la VO, Olaf affirme un "Did you know that..." ("Saviez-vous que...") tandis qu'en VF la traduction a choisi un "Vrai ou Faux". Ce qui a pour effet de laisser un peu cette idée sous forme de théorie, potentiellement fausse, alors qu'elle était affirmée au milieu d'autres faits réels par Olaf en VO (qui en plus ajoute que cette idée est décriée par beaucoup mais est vraie). La théorie de l'eau (ayant une mémoire) n'étant ensuite réellement présente que lors d'événements trop magiques pour être réels, ce qui crée naturellement une distance avec la véracité de cette idée.


En parlant d'eau, voici deux concept arts du Nokk par Lisa Keene ( https://www.instagram.com/stubaluna/ ):

stubaluna a écrit:

Ok seriously? I get to work on a horse? A water horse called the Nokk? My career was complete. I was 5 years old again, well I still have horses so I never grew out of it I guess. I worked closely with character, animation, effects, tech Anim. Look and lighting. It took a team to make this happen. I love these folks for making my little girl dreams come true. I can’t thank them enough for making this Nokk so beautiful. #disney #waltdisney #disneyanimationstudios #animation #frozen2 #frozen2art #nokk #waterhorse #conceptart #visdev #visdevelopement #waterhorse

stubaluna a écrit:

I remember when I was 3 or so and my grandfather put me in front of the saddle and galloped across the field, what is now the Burbank equestrian center. I remember being disappointed because our rental horse had a short tail. I was hoping for a long flowing fairytale tail. But the moment that horse flew across the field I was hooked. Saving baby sitting money bits at a time I was able to rent the horses on my own. After I started working at Disney I bought my first car and then a horse. They are magical creatures and working on this Nokk was a fairytale dream come true. #disney #waltdisney #waltdisneystudios #waltdisneyanimationstudios #waltdisneyanimation #elsa #nokk #waterhorse #frozen2 #frozen2art #conceptart #visdev #visdevart #visualdevelopment #lightingdesign

Quelques concepts par Brittney Lee ( https://www.instagram.com/britsketch/ ) :

britsketch a écrit:

The very first costume designs that I was asked to work on for #frozen2 over 2 years ago. These designs were for a scene that ultimately didn’t make it into the film, but that featured the girls traveling in inclement weather. While Elsa didn’t keep her hood, a lot of the elements of this design ended up being adopted into her travel coat. We were so early in the process that we didn’t have a plan for color yet, so I was asked to work in greyscale. We don’t always work this way, but sometimes it is good to switch things up!
After a few years away, it was so wonderful to work with these characters again. They just feel like home
#frozen2 #elsa #anna #disneyfrozen #disney

britsketch a écrit:

As we started to explore Elsa’s travel costume, we had just a few elements that we knew we needed to include. She needed to be wearing layers, her hemline had to be off the ground, and she needed to be wearing some kind of pant to support the amount of activity she would be put through. Also, if her costume could include an element that would move well in the wind (since we did know that Gale would be interacting with her), that would be a bonus. I thought it was important to include Gale in the design process to give everything a little more context.
Normally on Frozen we try to hone in on a favorite design or two before we show our directors, but this was such new territory for us that we did show all of these designs (and probably more) to get their feedback. Ultimately, they asked for a combination of two of these designs and that is where we landed - can you tell which two?
I love working with Elsa, and this assignment was certainly a challenge. The process of working on these films is always an exciting journey
#frozen2 #frozen #elsa #disney

et la version finale :