J'ai attendu tout le trailer pour voir comment ils allaient traduire le sarcasme en VF... Et ils ont juste viré la scène
Disneyland Paris : déc. 1997/avr. 1998/juil. 1999/avr. 2005/aoû. 2005/oct. 2005/fév. 2006/avr. 2006 - Cast Member 2006-2011 - visites régulières jusqu'à aujourd'hui Walt Disney World Resort : nov. 2008/mai 2011/fév.-mars 2018/sep. 2019/oct. 2022 Disneyland Resort : sep. 2009/mai 2013/nov. 2015/août 2019/déc. 2023 Tokyo Disney Resort : juin 2015/avr. 2016 Hong Kong Disneyland Resort : mars 2016 Shanghai Disney Resort : mai 2016 / juin 2016 / juil. 2016 Disney Cruise Line : mars 2018 (Disney Dream) / sep. 2019 (Disney Fantasy) / oct. 2022 (Disney Wish) / nov. 2023 (Disney Magic) / sep. 2024 (Disney Wonder)
Je trouve les nouvelles affiches du film vraiment sympas. J'aime beaucoup leurs designs colorés, et ça promet une suite captivante, sûrement à la hauteur du premier film.
3 X Anaheim(2014-2018-2022) 1 X Hong Kong(2019) 1 X Shanghai(2019) 1 X Tokyo(2016) 5 X Walt Disney World(2013-2015-2016-2020-2022-2024)
Chances are, you cried while watching Inside Out. Pixar’s 2015 masterpiece is, by its very nature, one of its most emotional works – not least due to its depictions of the emotions in the mind of youngster Riley. As it turns out, being in a Pixar film can be just as moving as watching them – as Maya Hawke found out in her Inside Out 2 audition. For the sequel, Hawke voices Anxiety, one of several new emotions that enters Riley’s head as puberty beckons – and even the process of delivering lines prior to getting the role brought tears to her eyes.
Yes, she cried in the audition. “There’s something about this story and these characters that I think really brings fundamental truths about our experience to the surface,” she explains. “It’s so relatable, so emotional, so pure, that whether you want to or not, you use what you have and what you’ve been through.” By the end of the audition, she was begging to get to play the part. “It was an extremely desperate thing to do, but I think what people are looking for in audition rooms is passion. That it means something to them personally, and they’ll put pieces of themselves into it,” Hawke says.
Right from the first time she laid eyes on the character design for Anxiety, Hawke felt an affinity for her. “She was pitched to me with a picture of her,” she recalls, “and I was like, ‘YES, that’s ME! That’s the Velma Dinkley [of Scooby-Doo fame] part I’ve always dreamed of, with the orange and the skirt and stripes and the teeth!” Zoinks.