Aux côtés de Chris Evans, nous retrouverons au casting Keke Palmer, Taika Waititi, Dale Soules, Uzo Aduba, James Brolin, Peter Sohn, Mary McDonald-Lewis, Efren Ramirez et Isiah Whitlock Jr..
Les adultes sont juste des enfants qui ont grandi.
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A new trailer blasts off this morning for Disney and Pixar’s original sci-fi action-adventure Lightyear. Releasing June 17, 2022, the definitive origin story of Buzz Lightyear—the hero who inspired the toy—follows the legendary Space Ranger on an intergalactic adventure. “Buzz’s world was always something I was excited about,” said director Angus MacLane. “In Toy Story, there seemed to be this incredible backstory to him being a Space Ranger that’s only touched upon, and I always wanted to explore that world further. So my Lighytear pitch was, ‘What was the movie that Andy saw that made him want a Buzz Lightyear toy?’ I wanted to see that movie. And now I’m lucky enough to get to make it.”
Joining the previously announced Chris Evans, who lends his voice to Buzz, are Keke Palmer, Dale Soules and Taika Waititi as a group of ambitious recruits. Peter Sohn voices Buzz’s robot companion, Sox, and the cast also includes the voices of Uzo Aduba, James Brolin, Mary McDonald-Lewis, Efren Ramirez and Isiah Whitlock Jr. “The cast for Lightyear is truly a dream team,” said MacLane. “Each of the performers immediately inhabited their character, which gave us the opportunity to play a bit during recording sessions. This resulted in a level of specificity that elevated the material and brought additional depth to the characters’ relationships. It has been a privilege to work with such a talented and generous cast.”
Also revealed this morning, composer Michael Giacchino, who’s behind the scores for the upcoming film The Batman, as well as Spider-Man: No Way Home, is on board to score Lightyear. Giacchino has a long history with Pixar, as he won an Oscar, Golden Globe and Grammy for the original score in Up. His other Pixar credits include The Incredibles, Ratatouille, Cars 2, Inside Out, Coco and Incredibles 2, among others. The Lightyear Original Motion Picture Soundtrack from Walt Disney Records will be available on June 17, 2022.
Lightyear is produced by Galyn Susman (Toy Story That Time Forgot).
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Étonné d'entendre Adrien Antoine sur Buzz mais si jamais son casting vient à être officialisé, ça sera un coup très malin de la part des équipes. Antoine et Darbois incarnent tous deux (vocalement) une certaine idée du mâle viril pour leurs générations, savent alterner entre personnages bourrins et comiques et ont vu leurs carrières exploser dans le doublage pendant des périodes bien précises. Le grand public a souvent considéré Antoine comme le Darbois contemporain (le passage de flambeau sur Batman n'y est pas pour rien) donc quoi de plus normal qu'il lui succède sur ce rôle culte. On croise les doigts!
Les adultes sont juste des enfants qui ont grandi.
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Étonné d'entendre Adrien Antoine sur Buzz mais si jamais son casting vient à être officialisé, ça sera un coup très malin de la part des équipes. Antoine et Darbois incarnent tous deux (vocalement) une certaine idée du mâle viril pour leurs générations, savent alterner entre personnages bourrins et comiques et ont vu leurs carrières exploser dans le doublage pendant des périodes bien précises. Le grand public a souvent considéré Antoine comme le Darbois contemporain (le passage de flambeau sur Batman n'y est pas pour rien) donc quoi de plus normal qu'il lui succède sur ce rôle culte. On croise les doigts!
Ah ! Je me disais qu'en écoutant la bande-annonce Buzz n'avait pas le même doublage. J'ai hésité. Les voix sont assez similaires. En tous cas, ça ne dérange pas.
Concernant la bande-annonce, elle me laisse neutre. Elle ne me donne ni envie ni pas envie de le voir. Pourquoi pas ? Mais je n'en attends rien de particulier.
Autant à l'annonce d'un film sur Buzz l'Eclair je ne voyais pas vraiment la pertinence du projet mais en voyant les bandes annonces je dois avouer que ça donne envie !
J'espère vraiment une sortie cinéma ce serait quand même mieux (quoi que même si ce n'est pas le cas il y'aura toujours la projection Pass Infinity c'est tout comme :-P )
Futur 1000ème Happy Ghost de Phantom Manor ;-)
Voyage à Walt Disney World en solo prévu du 6 au 21 septembre 2022 !
Buzz lors de sa mission va se rendre compte que le carburant utilisé par les Space Rangers pour leurs vaisseaux est en réalité créé à partir de cristaux présents sur la planète de Zurg récupérés à l'insu de ce dernier. Les méchants seraient donc des membres de l'alliance sidérale. ZURG serait de ce fait un "gentil" (accessoirement le père de Buzz s'ils veulent garder la vanne) qui tenterait coûte que coûte d'empêcher cette entreprise de prospérer dans cette politique d'exploitation de planètes non armées.
Bande-annonce :
Toy Story 2 :
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Pixar risque donc de continuer à voir ses œuvres proposées directement sur Disney +.
Les dates de sortie annoncée sont un vendredi pour la bande annonce US, et un mercredi pour la bande annonce française... donc des sorties ciné théoriquement parlant (puisque les films sur Disney+, c'est le vendredi qu'ils sortent alors que le mercredi c'est séries).
Un baiser homosexuel a été reintégré dans Buzz l'Éclair (Lightyear) suite à la polémique autour du projet de loi "Don't Say Gay" ("Ne dites pas gay") de Floride.
Selon une source proche de la production, le prochain Pixar présente un personnage féminin important, Hawthorne (voix de Uzo Aduba), qui entretient une relation significative avec une autre femme. Bien que la relation n'ait jamais été remise en question, un baiser entre les personnages avait été coupé du film. Cependant, après le tollé entourant la déclaration des employés de Pixar et la gestion par le PDG de Disney Bob Chapek, le baiser a été rétabli la semaine dernière.
On March 9, LGBTQ employees and allies at Pixar Animation Studios sent a joint statement to Walt Disney Company leadership claiming that Disney executives had actively censored “overtly gay affection” in its feature films. The stunning allegation — made as part of a larger protest over the company’s lack of public response to Florida’s “Don’t Say Gay” bill — did not include which Pixar films had weathered the censorship, nor which specific creative decisions were cut or altered.
But in at least one case, the statement appears to have made a significant difference.
According to a source close to the production, Pixar’s next feature film, “Lightyear” — starring Chris Evans as the putative real-life inspiration for the “Toy Story” character Buzz Lightyear — does feature a significant female character, Hawthorne (voiced by Uzo Aduba), who is in a meaningful relationship with another woman. While the fact of that relationship was never in question at the studio, a kiss between the characters had been cut from the film. Following the uproar surrounding the Pixar employees’ statement and Disney CEO Bob Chapek’s handling of the “Don’t Say Gay” bill, however, the kiss was reinstated into the movie last week.
The decision marks a possible major turning point for LGBTQ representation not just in Pixar films, but in feature animation in general, which has remained steadfastly circumspect about depicting same-sex affection in any meaningful light.
To be sure, there are several examples of forthright LGBTQ representation in feature animation created for an adult audience, including in 1999’s “South Park: Bigger, Longer & Uncut,” 2007’s “Persepolis,” 2016’s “Sausage Party,” and 2021’s “Flee.” But in a G or PG rated animated movie, the pervasive approach has been to tell, not show — and only barely at that. Arguably the most high-profile LGBTQ character in an animated studio feature to date — Katie (Abbi Jacobson), the teenage lead of “The Mitchells vs. the Machines,” produced by Sony Pictures Animation and released by Netflix — is the exception that proves the rule: This explicit fact of Katie’s identity is only fully revealed in the final moments of the film when her mother makes a passing reference to her girlfriend.
In Pixar’s 27-year history, there have been just a small handful of unambiguous LGBTQ characters of any kind. In 2020’s “Onward,” a one-eyed cop (Lena Waithe), who appears in a few scenes, mentions her girlfriend. In 2019’s “Toy Story 4,” two moms hug their child goodbye at kindergarten. And 2016’s “Finding Dory” features a brief shot of what appears to be a lesbian couple, though the movie’s filmmakers were coy about defining them that way at the time. The most overtly LGBTQ project in Pixar’s canon is a 2020 short film, “Out,” about a gay man struggling with coming out to his parents — which the studio released on Disney Plus as part of its SparkShorts program.
But according to multiple former Pixar employees who spoke with Variety on the condition of anonymity, creatives within the studio have tried for years to incorporate LGBTQ identity into its storytelling in ways big and small, only to have those efforts consistently thwarted. (A spokesperson for Disney declined to comment for this story.)
In Pixar’s 2021 release, “Luca,” two young sea monsters who appear human when on land, Luca (Jacob Tremblay) and Alberto (Jack Dylan Grazer), build a profound friendship with each other that many interpreted as a coming out allegory — the New York Times’ review of the film was headlined “Calamari by Your Name.” The film’s director, Enrico Casarosa, even told The Wrap that he “talked about” the potential of Luca and Alberto’s friendship being romantic in nature. But he quickly added that “we didn’t talk about it as much” because the film focuses “on friendship” and is “pre-romance.”
“Some people seem to get mad that I’m not saying yes or no, but I feel like, well, this is a movie about being open to any difference,” Casarosa added.
According to two sources who spoke with Variety, however, the “Luca” filmmakers also discussed whether the human girl who befriends Luca and Alberto, Giulia (Emma Berman), should be queer. But the creative team appeared to be stymied by how to do it without also creating a girlfriend for the character.
“We very often came up against the question of, ‘How do we do this without giving them a love interest?'” says one source who worked at the studio. “That comes up very often at Pixar.”
It’s unclear why a studio that has imbued multi-dimensional life into everything from plastic toys to the concepts of sadness and joy would be stumped by how to create an LGBTQ character without a love interest. But it also appears Pixar has had difficulty incorporating queer representation even as part of the background. Multiple sources told Variety that efforts to include signifiers of LGBTQ identity in the set design of films located in specific American cities known for sizable LGBTQ populations — namely, 2020’s “Soul” (in New York City) and 2015’s “Inside Out” (in San Francisco) — were shot down. One source said that a rainbow sticker placed in the window of a shop was removed because it was deemed too “distracting.”
Other sources said same-sex couples were also removed from the background from these films, though a studio insider insists they do appear in “Soul.” (A review of the film by Variety noted a few examples of two women sitting or standing in close proximity with each other in shots that last less than a second, but the nature of their relationship is ambiguous.)
What is most troubling is how this censorship apparently manifested at the studio. The March 9 statement by Pixar employees states that “Disney corporate reviews” were responsible for the diminution of LGBTQ representation at Pixar — which would include the tenure of Chapek’s predecessor as CEO, Robert Iger. It’s why Pixar employees say they found Chapek’s assertion in a March 7 company-wide memo that the “biggest impact” Disney can make “is through the inspiring content we produce” so galling.
“Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar,” the statement says. “Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”
But none of the sources who spoke with Variety could cite first-hand knowledge of Disney executives directly cutting LGBTQ content from specific Pixar features. Instead, the examples from “Luca,” “Soul” and “Inside Out” were purportedly driven either by the individual movie’s filmmaking team or by the studio’s own leadership. Effectively, Pixar engaged in self-censorship, say these sources, out of an abiding belief that LGBTQ content wouldn’t get past Disney review because Disney has needed the films to play in markets traditionally hostile to LGBTQ people: namely China, Russia, much of West Asia and in the American South.
Indeed, the inclusion of a one-eyed lesbian cop in “Onward” was enough to ban the film in Kuwait, Oman, Qatar and Saudi Arabia; and the version released in Russia swapped the word “girlfriend” with the word “partner.”
All of which makes the decision to restore the same-sex kiss in “Lightyear” — the first Pixar film due to open in movie theaters rather than on Disney Plus since 2019 — that much more meaningful for the studio and its employees, especially the ones who risked breaching Pixar’s decades-long near impenetrable silence about internal matters in their March 9 statement.
For Steven Hunter, the director of the short film “Out,” that effort was particularly important. While he is no longer at Pixar and couldn’t speak to any specific instances of censorship there, he said it was still “nerve-wracking” speaking out about the company at all. But with LGBTQ equal rights under threat by a sudden raft of state-level legislation, the importance of visibility in storytelling was too great for him to stay silent.
“I stand by my colleagues,” Hunter told Variety. “I’m really proud of those folks for speaking up. We need that. We need Mr. Chapek to understand that we need to be speaking up. We can’t assume that these laws that they’re trying to put in place aren’t hurtful and bigoted and, frankly, evil. We are not going away. We’re not going back in the closet.”
Pour retirer une musique (zip a dee doo da) qui ne dit rien à personne, Disney se joue chantre de l'anti racisme mais pour mettre juste un baiser homo, il y a plus personne, ça me dégoûte un peu cette attitude. C'est si horrible que ça de montrer des homos qui s'aiment à des enfants? En revanche les PD, allez vite dépenser votre argent pour enrichir Disney, pour ça, Disney n'a pas de scrupules. Merci aux gens de Pixar d'avoir fait le forcing.
Je crois surtout que c'est cette grosse tâche de Chapek qui a un gros problème avec ça. Qu'on le veuille ou non, il y a clairement un problème Chapek pour l'image de marque du groupe Disney depuis au moins 2 ans (critiqué pour sa gestion de la division parks à vouloir faire du tout licences, critiqué pour sa gestion assez chaotique de Disney+, critiqué pour l'affaire avec Scarlett Johannson avec la sortie de Black Widdow, critiqué pour sa politique des sorties des derniers Pixar uniquement sur Disney+, critiqué pour son wokisme avec Mélodie du Sud, critiqué pour son mutisme sur l'affaire "don's say gay", et maintenant critiqué pour avoir voulu censurer le baisé lesbien dans Buzz l'Eclair). J'ose espérer que le Conseil d'Administration de la TWDC s'en est rendu compte, et saura lui indiquer le chemin de la porte.
Quasiment une simple version courte de la dernière bande-annonce, mais c'est la première fois que "Exclusivement au cinéma" est clairement indiquée et mise en avant dans la promotion.
La voix de Chris Evans sied tellement à ce personnage. D'habitude je ne vais pas voir les films Disney au cinéma en V.O., là je ne vais pas avoir le choix
Je saurais t'aimer, j'en ai rêvé ! La Belle au Bois Dormant
Je crois surtout que c'est cette grosse tâche de Chapek qui a un gros problème avec ça. Qu'on le veuille ou non, il y a clairement un problème Chapek pour l'image de marque du groupe Disney depuis au moins 2 ans (critiqué pour sa gestion de la division parks à vouloir faire du tout licences, critiqué pour sa gestion assez chaotique de Disney+, critiqué pour l'affaire avec Scarlett Johannson avec la sortie de Black Widdow, critiqué pour sa politique des sorties des derniers Pixar uniquement sur Disney+, critiqué pour son wokisme avec Mélodie du Sud, critiqué pour son mutisme sur l'affaire "don's say gay", et maintenant critiqué pour avoir voulu censurer le baisé lesbien dans Buzz l'Eclair). J'ose espérer que le Conseil d'Administration de la TWDC s'en est rendu compte, et saura lui indiquer le chemin de la porte.
"Wokisme"... ?? Mince, j'étais à deux doigts d'être d'accord avec ton message Sinon pour le fond je rejoins
Moi faudra un jour m'expliquer comment Chapek est passé du ketchup à la boîte aux grandes oreilles. En fait ça explique son unique motivation
Je trouve que ces images dégagent vraiment une atmosphère particulière. On se sent vraiment dans de la pure science-fiction, je trouve qu'il y a une certaine maturité qui se dégage des images et de la photographie. Hâte de découvrir ce film. ^^
Angus MacLane annonce que Buzz L'Éclair est enfin terminé
Angus MacLane a écrit:
"Buzz Lightyear mission log, stardate: 05.04.2022. After a 5 1/2 year mission, LIGHTYEAR is finally finished." My sincerest thanks to the cast and crew. I couldn't be more proud of the work we've done. #Lightyear
Les adultes sont juste des enfants qui ont grandi.
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Mar 8 Fév 2022 - 16:09![Buzz l'Éclair [Pixar - 2022] - Page 3 FLFU3F3XIAIjoTs?format=jpg&name=large](https://pbs.twimg.com/media/FLFU3F3XIAIjoTs?format=jpg&name=large)
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Sinon pour le fond je rejoins 
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